The tour of Ulver is definitely an event. For the first time live the band of Garm jeopardizes his reputation as a cult band. But the courage and daring not to miss this Norwegian able to revolutionize their music several times, never lower the standard. The expectations are very high, but there is also awareness that will play live music impossbile complex and sophisticated as that of Ulver, not designed to be experienced live. The Teatro Rasi Ravenna is full, the atmosphere is the big event. We savor the show sat. The result is shown immediately respectful and quiet, almost religious admiration. Attila Csihar, with its driven project Void ov Voices, opens the concert. Half an hour of entries that overlap and chase each other, hypnotic, obsessive, worthy of Sunn O))) more sepulchral. Vocal drone, funeral chants and eerie choirs, led by a hot item and very unusual for a black mass of great impact. E 'then the turn of Garm and associates.
hour and twenty minutes of great music, which traces the last years of the band's career, with a massive presence of the songs of the last 3 albums, plus some scattered fragments taken from their EP. Opening with Eos is poignant and exciting movies behind the band intensify the sensations transmitted from the music, and are fascinating, and sometimes very disturbing. At times the music gets the best Coil and invoking apocalyptic images of the Nazi period are a handful in the stomach. The intensity is not set, the band sounds good and is not afraid to reinterpret some tracks. Electronic music, avant-garde metal, trip hop, noise, or whatever, this is great music. The sounds are very good despite some junctures in the bass synth saturate the room too much, and some books unpacked and found to contribute to making the surreal reinterpretation of some passages. But ultimately the result is good, sometimes (particularly in lean Songs of Shadows of the Sun) really great. Garm's voice is very warm, deep, intense, and the bass notes literally makes me shudder, while on the high notes are not always perfect show. Running For the Love of God suffers not convincing evidence of a voice, but otherwise the results are very good, sometimes uproarious. The songs on Blood Inside suffer a bit of new rock arrangements, while those of Shadows of the Sun will show nothing short of amazing. Hallways of Always is extraordinary, as well as the closing Like Music, followed by touching the tail of the piano. Exciting, never dull, the refined and sophisticated, Ulver confirmed one of the best bands of recent years, also live. Ultimately a wonderful concert, which for obvious reasons, in certain situations, you had to be based more on reinterpretation of the songs rock, sweeping away a little at first, but then proving very successful. Some moments, nothing short of sublime, alone are enough to consider this event a concert is absolutely fantastic and unique.
hour and twenty minutes of great music, which traces the last years of the band's career, with a massive presence of the songs of the last 3 albums, plus some scattered fragments taken from their EP. Opening with Eos is poignant and exciting movies behind the band intensify the sensations transmitted from the music, and are fascinating, and sometimes very disturbing. At times the music gets the best Coil and invoking apocalyptic images of the Nazi period are a handful in the stomach. The intensity is not set, the band sounds good and is not afraid to reinterpret some tracks. Electronic music, avant-garde metal, trip hop, noise, or whatever, this is great music. The sounds are very good despite some junctures in the bass synth saturate the room too much, and some books unpacked and found to contribute to making the surreal reinterpretation of some passages. But ultimately the result is good, sometimes (particularly in lean Songs of Shadows of the Sun) really great. Garm's voice is very warm, deep, intense, and the bass notes literally makes me shudder, while on the high notes are not always perfect show. Running For the Love of God suffers not convincing evidence of a voice, but otherwise the results are very good, sometimes uproarious. The songs on Blood Inside suffer a bit of new rock arrangements, while those of Shadows of the Sun will show nothing short of amazing. Hallways of Always is extraordinary, as well as the closing Like Music, followed by touching the tail of the piano. Exciting, never dull, the refined and sophisticated, Ulver confirmed one of the best bands of recent years, also live. Ultimately a wonderful concert, which for obvious reasons, in certain situations, you had to be based more on reinterpretation of the songs rock, sweeping away a little at first, but then proving very successful. Some moments, nothing short of sublime, alone are enough to consider this event a concert is absolutely fantastic and unique.
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